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Bad Racket: Cleveland Recording Studio 2220 Superior Ave. E. Suite 204 Cleveland, Ohio, 44114 CALL: (216) 309-2882

Soundcraft B800 Audio Console

Our Soundcraft B800 is a vintage broadcast console made in England. It was originally purchased by the Bank of America for thier corporate studios, before it was sold or donated as a tax write off to a performing arts school, who sold it to us. The console itself has very high specifications and several features which makes it ideal for our recording studio. The console offers many routing options such as 2 stereo aux sends and 4 mono aux sends (usually configured for head-phone mixes) This high quality analog console was manufactured with almost the exact specifications as the Studer 928. It also has sweet EQ section and Group Limiting on the Group Busses and Stereo Busses of which there are 2 completely independent stereo busses. Cool! Sounds great!

Soundcraft B800 User Guide                   Soundraft B800 Brochure

back to the Recording Studio Gear List at Bad Racket Recording Studios in Cleveland, Ohio.

Soundcraft Audio Recording and Broadcast Console

B800 Typical Specifications

Connections

Mic Input (XLR) >1.5kΩ balanced -72dBu to -6dBu in 6dB steps . . . . . . . . . . . . . . +27dBu max

with +/-6dB trim

Line Input (XLR) >10kΩ balanced -54dBu to +12dBu in 6dB steps . . . . . . . . . . . . +33dBu max

with +/-6dB trim

Insert Send (XLR) <60Ω balanced 0dBu (-4dBu Prefade) . . . +28dBu max (+25dBu into 600Ω)

Insert Return (XLR) >10kΩ balanced 0dBu (-4dBu Prefade) . . . . . +28dBu max (+24dBu Prefade)

Mono Direct Out (XLR) <60Ω balanced 0dBu . . . . . . . . . . . . . . . . . +28dBu max (+25dBu into 600Ω)

Stereo Direct Out (Multipin)

Group Insert Send (XLR) <60Ω balanced

Group Insert Return (XLR) >10kΩ balanced

Group Output (XLR) <60Ω balanced 0dBu . . . . . . . . . . . . . . . . . +28dBu max (+26dBu into 600Ω)

Aux Output (XLR) <60Ω balanced 0dBu . . . . . . . . . . . . . . . . . +28dBu max (+26dBu into 600Ω)

Monitor Output (XLR) <60Ω balanced 0dBu . . . . . . . . . . . . . . . . . +28dBu max (+26dBu into 600Ω)

Main O/P Insert Send (XLR) <60Ω balanced 0dBu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +28dBu max

Main O/P Insert Return (XLR) >10kΩ balanced 0dBu . . . . . . . . . . . . . . . . . +28dBu max (+26dBu into 600Ω)

Main Output (XLR) <60Ω balanced 0dBu . . . . . . . . . . . . . . . . . +28dBu max (+26dBu into 600Ω)

Filter and EQ

Mono Input Stereo Input

Filters

High Pass Filter Freq 80Hz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz

Slope 18dB/Oct . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12dB/Oct

Low Pass Filter Freq N/A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz

Slope N/A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12dB/Oct

EQ

High Frequency Freq 1kHz to 16kHz . . . . . . . . . . . . . . . . . . . . . . . . . 1kHz to 16kHz

Gain ±15dB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ±15dB

Q Shelf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shelf

High Mid Frequency Freq 500Hz to 8kHz . . . . . . . . . . . . . . . . . . . . . . . . . 500Hz to 8kHz

Gain ±15dB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ±15dB

Q 1.2/2.5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.2

Low Mid Frequency Freq 125Hz to 2kHz . . . . . . . . . . . . . . . . . . . . . . . . . 125Hz to 2kHz

Gain ±15dB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ±15dB

Q 1.2/2.5 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.2

Low Frequency Freq 32Hz to 500Hz . . . . . . . . . . . . . . . . . . . . . . . . 33Hz to 500Hz

Gain ±15dB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ±15dB

Q Shelf. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shelf

Auxiliaries

1/2 Mono Dual concentric Level . . . . . . Pre/Post fade switched in pairs

3/4 Mono Dual concentric Level . . . . . . Pre/Post fade switched in pairs

5/6 Mono Dual concentric Level . . . . . . Pre/Post fade switched in pairs

7 Stereo Dual concentric Level/Pan . Pre/Post fade switched in stereo

8 Stereo Dual concentric Level/Pan . Pre/Post fade switched in stereo

Oscillator

Switchable 100Hz, 400Hz, 1kHz, 10kHz plus 30Hz Slate override

Frequency Response

Any input into any output Measured at +50dB gain +0/-0.5dB, 20Hz – 20kHz

THD and Noise

Mic input to Group Measured at +20dBu output < 0.1% 20Hz – 16kHz

or Main output Measured at 0dBu output <0.02% @1kHz, <0.05% 20Hz – 16kHz

Mic input EIN (22Hz – 22kHz bandwidth, unweighted <-128dBu (150Ω source)

Mix bus output noise (32ch routed) Less than -80dBu

Mix Bus noise (no channels routed) Less than -88dBu

Line noise Less than -86dBu

CMRR Weights & Dimensions

Mic Input 80dB @ 1kHz

60dB @ 10kHz

Line Input 70dB @ 1kHz

50dB @ 10kHz

Crosstalk

Channel muting 95dB @ 1kHz

90dB @ 10kHz

Channel fader attention 90dB @ 1kHz

85dB @ 10kHz

Note: These figures are typical of performance in a normal electromagnetic environment. Performance may be degraded in severe conditions.

All measurements refer to electronically balanced inputs and outputs with VCAs enabled. Input and output transformers may affect these

specifications.



 

 

 

 

Frame Width Weight

24 833.72mm(324/5in) 128kg(281.6lbs)

32 1087.72mm(424/5in) 156kg(343.2lbs)

40 1341.72mm(524/5in) 195kg(429lbs)

48 1595.72mm(624/5in) 250kg(550lbs)

56 1849.72mm(724/5in) 280kg(616lbs)

Thanks to The Creative Team, Essex Radio plc, and Carlton 021, Birmingham.

inding the right desk for demanding

professional broadcast applications has

never been easy. The varied requirements of live

TV broadcast, production and live radio work,

and OB installations means that only highly

customised versions of existing mixers have

been suitable – especially when space is at a

premium. The Soundcraft B800 changes this.

The B800 is a specialised yet highly flexible

modular broadcast mixer, drawing on

Soundcraft’s experience of designing and

customising consoles for the broadcast audio

market. Extensive configuration options

available within modules mean that the

features and flexibility you would previously

have expected only on a customised desk are

available within the B800’s compact frame.

In terms of audio routing, remote control and

signalling facilities, the B800 sets a new

standard for versatility, and compact, ergonomic

efficiency.

Designed from the ground up as the key audio

component in broadcast installations, the frame

and electronics of the Soundcraft B800 embody

the highest standards of structural and

electronic integrity. Whatever the mix of highquality

studio sources and unpredictable remote

signals, the B800 ensures superior audio

performance. Modules are connected to internal

bussing via motherboard construction, audio

connections are via balanced XLRs, and all

internal mix busses are balanced to achieve a

high degree of isolation, noise and interference

rejection, and robust signal handling.

Five frame sizes are available, accepting up to

48 inputs. The desk can be configured with 8

mono or 4 stereo groups, and there are two

fully independent stereo master output

modules. 6 mono and 2 stereo aux sends are

provided. Extensive monitoring and cue

facilities include stereo AFL/PFL, and several

sets of speaker and phones outputs. There are 4

VCA groups for additional level control.

Custom F broadcast facilities from a standard console

  • Massive 33dB input headroom
  • 24, 32, 40, 48, 56-module frames
  • 8 mono or 4 stereo groups
  • Two fully independent stereo

master output modules

  • 6 mono and 2 stereo auxes
  • Stereo AFL/PFL
  • LED indication on all switches
  • 4 VCA groups
  • Wide variation in module audio and

logic/control functions via internal

links and jumpers

  • Flexible cleanfeed facilities via

Direct outputs on all channels

  • Versatile and highly configurable

monitoring via speakers and studio

and guest headphones

  • Limiters on mono and stereo groups

and master outputs

  • 8 input with 6 monitor channel

surround module

  • Wide range of meterbridge options
  • Balanced audio inputs and outputs

throughout, on XLRs and EDACs

  • Balanced internal bussing
  • Motherboard construction
  • Momentary or latching Cue operation
  • Oscillator and slate oscillator
  • Manual or remote mute switching
  • External control
  • Remote start/stop
  • Incrementally switched input

channel gain

The Mono Input Module accepts a mic or line input, each via its

own rear panel XLR socket. +48V mic phantom power is individually

switched for each channel. The TONE switch applies a -60dBu signal

to the module pre-amplifier, to check module operation. Indicator

LEDs are provided for the LINE, TONE, and +48V phantom power

switches.

The channel GAIN control offers 6dB switched increments, covering

+6dB to +72dB gain on the mic input, and -12dB to +54dB of gain

on the line input. The TRIM pot provides an additional +/-6dB of

continuous gain variation. The channel insert point can be switched

in and out; note, however, that the channel signal is always

available on the insert send XLR. The insert is configured pre or

post-EQ via internal jumpers, and pre or post-fader via an internal

switch.

The mono input EQ is a 4-band semi-parametric design, with a

phase reverse switch and high-pass filter (18dB/octave at 100Hz).

The HF and LF shelving bands both offer ±15dB, at 1kHz-16kHz and

32Hz-500Hz respectively. The two mid bands offer ±15dB bellresponse

filters, with Q switchable between 1.2 and 2.5, and swept

centre frequencies from 125Hz-2kHz and 500Hz-8kHz. An EQ in/out

switch is provided.

There are eight auxiliary sends. The mono Auxes 1-6 are controlled

by three pairs of dual-concentric pots, and are switchable pre/postfade

in pairs. Aux 7 and 8 are both stereo sends, with dualconcentric

pots for level and pan control. Each can be switched to

pre or post-fade operation. The Aux 1 pot can also be switched into

the channel direct output circuit, with the DIR O/P switch. In this

mode the module’s feed to the Aux 1 mix is removed. The normally

post fade direct output is, in DIR mode, jumper selectable to be

pre/post fade.

The Pan pot positions the input signal within the main stereo mix.

With the PAN button depressed, the channel signal is sent left and

right to odd and even-numbered groups respectively; otherwise the

pre-pan signal is sent to all groups. The mute section, located after

the optional low-pass filter, can be operated manually (with the

MUTE button) or remotely (via a 25-way D-sub connector). The

100mm channel fader offers +10dB maximum gain. In addition, any

of the four VCA group master faders can add an offset to the fader

level, via VCA GRP 1-4 switches.

The 8-segment LED meter can be set to pre-fade or pre-EQ by an

internal jumper. In DIR mode Direct Ouput level is metered. The

PEAK LED monitors the signal at three points: pre-EQ, post-EQ, and

post-fade. The mono module’s audio output is routed to any or all

of the 8 groups, and/or to one or both of the master stereo busses

(ST1 and ST2).

The channel’s Direct Output can carry one of two cleanfeed outputs,

talkback from the overbridge mic XLR input, or the oscillator and

slate oscillator. Cleanfeed 1 Bus carries a mono mix of all inputs

routed to the ST1 mix (not groups); depressing the CLEANFEED and

ST1 buttons routes this to the Direct Output. With the CLEANFEED

button depressed and ST1 released, the Cleanfeed 2 bus is used as

the mix-minus source. Cleanfeed 2 carries a mix from all the input

modules which have their CLEANFEED but not their ST1 buttons

depressed – ie. all other channels that are using Cleanfeed 2 Bus.

The desk’s cue system has two modes – if the CUE button is

depressed for less than 0.5s it latches electronically, otherwise it

operates in momentary mode. If the channel fader is down when

the cue system is active, then the PFL signal will be put onto the

Cue L and R busses whatever the AFL/PFL settings on the Monitor

Module. The CUE button is reset whenever the channel fader is

moved away from the down position. If the button is pressed when

the fader is already raised, the AFL/PFL signal will be selected

according to the position of the AFL/PFL master switch on the

Monitor Module.

The channel remote start/stop facility has two sets of relay contacts,

available via a rear panel D-sub connector. These can be set to

latching or pulse operation via internal jumpers, and are activated

whenever the fader is raised and the On button depressed. This

facility, which only operates when the Line input is selected, also

cancels local mute (if applicable) to open the module channel.

The Stereo Input Module accepts mic or line inputs via

two rear panel XLR sockets. A PHASE REVERSE switch

affects the right channel only, and the +48V mic

phantom power switch affects both XLRs. M/S decoding

is available, switched in with the M/S button.

The status of the L and R buttons determines whether

the L and R input signals are treated as a stereo pair, are

summed to mono, or whether either signal is routed to

both sides of the stereo channel bus. The TONE switch

operates as on the mono module.

The channel GAIN and TRIM pots operate as on the mono

channel, except that they are affecting a stereo signal.

The stereo channel insert point can be switched in and

out with the INS button; note that the channel signal is

always available on the L & R insert send XLRs, however.

The insert is configured pre or post-EQ, and pre or postfader,

via two internal switches and jumper links.

The EQ is a 4-band swept design, with high-pass filter

and low-pass filters (12dB/octave at 100Hz and 12kHz

respectively). The HF and LF shelving bands both offer

±15dB, at 1kHz-16kHz and 32Hz-500Hz respectively. The

two mid bands offer ±15dB bell-response filters, with Q

fixed at 1.2, and swept centre frequencies from 125Hz-

2kHz and 500Hz-8kHz. An EQ in/out switch is provided.

EQ operates equally on both the L & R parts of the

channel signal.

There are eight auxiliary sends. Auxes 1-6, carrying a

mono summed signal, are controlled by three pairs of

dual-concentric pots, and are switchable pre/post-fade in

pairs. Aux 7 and 8 are both fed in stereo, with dualconcentric

pots for level control of left and right

channels. Each can be switched to pre or post-fade

operation. A stereo channel direct output is an option.

The dual-function Balance/Pan pot is, depending on

whether the PAN button is depressed, used to trim the

stereo balance of the channel signal or pan the stereo

signal. The STEREO WIDTH pot provides variation from

mono to phase-enhanced wide stereo.

The panned or balanced signal can be routed, via the six

buttons at the top of the channel strip, to any

combination of the four pairs of groups (1 & 2, 3 & 4, 5

& 6, 7 & 8) and the two stereo master busses. When the

channel signal is routed to groups, the left side is routed

to odd-numbered groups and the right side to evennumbered

groups.

The 100mm channel fader offers +10dB maximum gain.

In addition, any of the four VCA group master faders (on

the Monitor and Communications Module) can add an

offset to the fader level. The 8-segment LED meter can

be set to pre-fade or pre-EQ by internal jumpers. The

PEAK LED monitors the signal at three points L and R:

pre-EQ, post-EQ, and post-fade.

The channel’s optional stereo Direct Output can carry one

of two mono cleanfeed outputs, talkback from the

overbridge mic XLR input, or the oscillator and slate

oscillator. See mono input for details of cleanfeed

operation. Cue, mute, and remote start/stop operate as

on the Mono Input Module, except that the PFL feed to

the cue bus is in stereo.

Mono Input

Module

Stereo Input

Module

Two fully independent and fully featured modules

are provided for ST1 and ST2, with their own sets

of outputs. The modules are similar apart from the

provision of PSU status LEDs and an on-air switch

on the ST1 module.

The On-Air switch, operated manually or via an

opto-isolator circuit, is used to close a set of relay

contacts, for external signalisation; it also disables

some oscillator and talkback facilities on the

Communications Module.

The Aux master controls are located on both

modules. Each master has a rotary level pot, a

Mute switch, and an AFL button to monitor the

after-fade listen signal via the Cue system.

The Stereo Master inserts can be switched in and

out of the signal path, though the signals are

always available on the Insert Send XLRs.

The stereo limiter functionally operates exactly as

does the limiter on the Group modules, though

there is no LINK switch.

The stereo output from each module is controlled

via a stereo master fader. A mute circuit, operated

remotely, is positioned after the fader. The PEAK

LED monitors both L & R signals, pre-fader, and

illuminates if either comes within 6dB of clipping.

A mono output is also available, jumper selectable

pre or post the limiter. This output has a rotary

level control, offering up to 0dB of gain, Mute

circuit, and PFL. The signal is a mix of the Stereo

Master left and right signals, and is taken pre or

post-fader, as determined by the PRE switch.

Master ST1 & ST2

Modules

The Mono and Stereo Group Modules are almost

identical in operation, providing both Stereo

Return and Group Master facilities. The Stereo

Group offers greater packing density, and is more

suited to applications where groups are always

treated as stereo pairs.

Stereo Return

Stereo Return inputs are via rear panel XLR sockets.

The left and right inputs can be accepted as stereo

or summed mono signals, determined by the

MONO switch. Alternatively, by depressing the BUS

switch the stereo return section will pick up signals

from the 8 group output busses. (Feedback is

avoided as no group can route to itself.) PAN,

LEVEL and MUTE controls are provided.

The post-mute stereo signal can be routed to the

ST1 mix, the ST2 mix, and/or the Group. The

GROUP and BUS switches are interlocked such that

the GROUP switch is disabled if both are depressed

at the same time.

The Stereo Return Cue facility operates in the same

manner as the Cue facility on input channels.

Group Master

The group insert can be switched in and out of the

signal path, and an internal switch sets pre or postfade

operation. Whether the insert is switched in or

not, the group signal always appears at the insert

send XLR.

The Group Mute section, placed immediately before

the fader, can be manually or remotely switched.

An LED is provided to indicate remote mute

activation.

A remote control facility for machine start is

available, via relay contacts that are closed when

the fader is raised.

The Limiter in the Group signal path offers a 4-

position switch for threshold, 0.5ms or 10ms

attack, and release continuously variable from

200ms to 10 secs. An Auto release facility is also

available, giving 1 sec release time with a 2-stage

release action. An 8-LED gain reduction meter is

provided. On mono groups, the limiter can be

linked to that on the group to its right with the

LINK switch. On stereo groups, the LINK switch is

omitted and operates as a stereo limiter.

The post-limiter signal is sent to the Group Output

XLR on the rear panel. An internal jumper can be

used to configure the module such that the signal

is also passed to the PAN pot and then routed to

any of the ST1, ST2, and eight Group busses. The

left signal is passed to odd numbered groups, and

the right signal to even-numbered groups. The

stereo group is fitted with a balance control,

switchable to pan, and a width image control.

These operate in the same way as on the stereo

input.

Feeds from the group to Auxes 1-8 are controlled

by four pots. Each is switchable to control either

the odd or even one of the pairs Aux 1-2, 3-4, 5-6

and 7-8. Each is switchable to pre or post-fade

operation.

The group cue system operates as on Mono and

Stereo Input Modules.

Two level indicator LEDs are provided: the SP LED

illuminates when a signal is present on the Group

mix bus, and the PEAK LED illuminates whenever

the output of the group mix amplifier or the postfader

signal come within 6dB of clipping.

Mono and Stereo

Group Modules

To address the needs of the modern broadcaster the B800

offers a Surround Sound facility based on the industry

standard Magtrax™ system. The same system as is used in the

ground breaking DC2020 and other Soundcraft consoles.

The surround facility comprises two individual items: the B800

Surround monitor/panner control module, as pictured, and the

TV8 8 channel, 6 speaker interface in a separate 2u rack.

With up to 8 monitor channels of 6 speaker surround sound,

the B800 system fully supports all surround formats used in

TV, radio and video. Additionally, it is compatible with all

proprietary systems currently available including Dolby™ and

Ultra Stereo™.

The TV8 also features an 8-channel record/replay insert for use

with a master recorder such as Dolby Dubber™, Tascam DA88

and Akai’s DD8.

The status of speaker level, record/replay and “toggle” plus

solo groups are controlled from the B800 control module

while VME speaker cut groups are easily and quickly assigned.

Software controlled presets allow monitoring levels to be

selected at either 85dB, 88dB or at a user defined level.

Two quad joysticks are routable to all 8 group busses and the

ergonomic control layout lends itself to intuitive, efficient

operation.

Surround Sound

Module

In addition to its communication functions, the

Communications Module also carries VCA Master faders

3 &4, allowing further input channel level control.

The talkback input is derived from the meterbridge

Talkback Mic XLR. Gain is adjusted on the Communications

Module.

Talkback can be routed at any time to the external

Talkback Output and to all Group Outputs, also to any

combination of Aux buses 1-8, or optionally, any

combination of the the 8 group outputs. The signal can

also, apart from when the On Air Lock Out LED is lit, be

routed to either of the two Stereo Master outputs, and to

the studio speakers. Talkback to studio headphones is not

“locked out”.

There are two sets of studio headphones outputs – Studio

Phones and Guest Phones – plus a Studio Speaker output,

each with their own level control. The input to these three

can be CRM (ie. whatever the control monitor is

receiving), ST1, Aux 8, or an external input (via the

Communications Module EDAC). If the Talk To Studio

switch is active, the ST1 stereo signal will be routed in

mono to the left side of the headphones, and talkback to

the right. A Producer-to-Studio input is also available to

the phones, with audio input and control via the

Communications Module EDAC and EXT Logic D-sub

connector. This signal is similarly routed left, with talkback

right, whenever it is present.

The Studio Speaker outputs can be manually or externally

muted; an LED is provided to indicate if external muting is

in operation. A speaker dim facility, linked to an internal

preset pot for dim level, is also provided.

The Communications Module’s oscillator, switched in and

out via a clear illuminated switch, is routed to the internal

tone bus, and also to two sets of balanced outputs on the

rear panel EDAC (OSCL & OSCR). A calibration pot controls

overall tone level, and a level control attenuates the

balanced outputs. The internal tone bus is disabled when

the ST1 Module’s On Air switch is active. The oscillator can

be switched to 100, 400, 1k and 10k Hertz, and an EBU

Tone facility is provided to switch the OSCL output such

that it is muted for 100ms every 3s. A slate facility is also

provided – the oscillator signal can be routed to the Direct

Output of every input module, the talkback signal can be

similarly routed, or the two can be routed simultaneously

(though the oscillator frequency will be automatically set

to 30Hz).

Two Option switches are provided, controlling relays

available via the Communications Module External Logic

D-type connector, for remote control of external devices,

lamps etc. The switches also drive talkback contacts for

external use via an EDAC connector, with Call LEDs

accessed via the Logic D-sub connector.

The Monitor Module provides facilities for mono and

stereo monitoring of many internal and external sources,

as well as VCA master faders 1 and 2 for adjusting input

module gain.

Any one of eight external or six internal sources can be

selected for monitoring. External sources are taken from a

rear-panel 90-way EDAC connector, whilst internal

jumpers allow combinations of the following to be

assigned as the six internal sources:

Groups 1 to 8 (mono)

The main stereo mixes of the

ST1 and ST2 Modules (stereo)

The mono mixes of the ST1 and ST2 Modules (mono)

Aux 1 to Aux 6 (mono)

Aux 7 and 8 (stereo)

Stereo sources are normally sent in stereo to the monitor

bus. With the MONO SOURCE L & R switches, however,

either or both the left and right sides of a stereo monitor

source can be sent in mono to both sides of the monitor

bus. Monitor outputs are via two sets of Monitor Speaker

outputs, and to a headphones output.

Both Cue and Monitor signals can be simultaneously

heard in the headphones by depressing the H/P SPLIT

button. The monitor signal is sent (in mono, summed if it

is a stereo source) to the left side, and the cue to the right

side.

The ALT switch is used to switch between the two sets of

monitor speaker outputs. Whichever set is selected is

affected by the right channel phase reverse, balance and

level controls. The L & R outputs can be summed to mono,

and independently muted. Mutes can be executed under

manual or external control. A Dim facility is also available,

cutting monitor output level by a preset level (-20dB is

the default, but this can be changed by jumpers on the

Monitor Module PCB).

Master Cue facilities are provided on the Monitor Module.

The Overbridge Cue Speaker is fed with Overpress Cue

Signals (if the Overpress Option is fitted), the Return

Talkback signal, and (if the correct jumpers are fitted) a

mono sum of the Cue L & R signals. A stereo pair of Cue

Speaker outputs is also provided. Return Talkback and Cue

Monitor have their own level controls.

The Cue Speaker outputs carry PFL and AFL signals via the

Cue L & R busses. These signals are muted with the

Overpress facility (if fitted), if the appropriate jumpers are

fitted.

The Cue L & R busses can be switched from the Cue

Speakers Output to the Monitor Outputs, and a master

switch is provided to select PFL or AFL operation from the

various Cue switches on the console. All CUE switches can

be reset from the monitor module.

Communications

Module

Monitor Module

Module Jumper/Link Options

Mono Input Module

Links 1-4 Pre-fade insert point Pre or (default) post-EQ

J1 Used for VCA option

J2 VCA ground Local (default) or Master 0V

J3 Remote start/stop Pulse start/stop (default) or latched on/off operation

J4 Remote switching Enabled (default) or disabled

J5 Remote switch function Start pulses only or latching start/stop (default)

J7 Stereo aux source Pre (default) or post-mute

J8 Mono aux source Pre or post mute (default)

J9 Slate/cleanfeed relationship Mutually exclusive or simultaneous (default) in Direct Output

J10 Meter feed Pre-EQ/pre-fade (default) or post-fade in DIR mode

J11 Remote common Allows signalisation interlock with master and group modules, ie. operates autonomously (default),

or only when all ‘remote’ modules in signal path have faders raised

J12 Signalisation Studio speaker mute activated (default) or Monitor Dim activated.

J13 Signalisation Either when line input is selected or when mic input is selected (default)

J14 Channel meter Follows either channel input (default) or Direct Output switch

J15 Direct Output source Enables Direct Output in DIR mode to be pre or post-fade

J16 Remote Start Operates in either Mic or Line mode (default)

Mono Group Module

Jumper options

J1 Remote common Allows signalisation interlock with master and input modules, ie. operates autonomously (default),

or only when all ‘remote’ modules in signal path have faders raised

J2 Talkback to group Talkback replaces (default) or mixes with program in Group Output

J3 Slate (Osc to groups) Replaces (default) or mixes with program

J4 Effect of On-Air switch on talkback No effect (default) or kills talkback to group output

J5 Limiter Post-limiter signal sent to stereo bus/group routing switches and Group Output,

or (default) limiter affects signal from Group Output only

J6 Limiter pre-emphasis Pre-emphasis or no pre-emphasis on limiter side chain

J7 Aux 1-6 pre-fade source Pre or post-mute(default)

J8 Stereo auxes 7/8 pre-fade source Pre or post-mute(default)

Internal switch options

S30 Insert point Pre (default) or post-fade

Stereo Master Modules

The Stereo Master Module can be supplied with three fader options:

a single VCA control fader; a stereo audio fader; or two mono faders

J1 Remote common Allows signalisation interlock with group and input modules, ie. operates autonomously (default),

or only when all ‘remote’ modules in signal path have faders raised

J2 & J3 Mono output Post-fade, pre-limiter or post-limiter (default)

J4 Talkback Talkback replaces (default) or mixes with program

J5 & 6 Limiter pre-emphasis Pre-emphasis or no pre-emphasis (default) on limiter

Monitor Module

J1 Ext. 8 input Set for +4dB or -10dBV

J2, J3 & J4 Monitoring Cue to monitor/talk to studio (2 monitor modules)

J5, J6, J7, J8 & J9 Talkback Selections for control room or studio

J10 & J11 Cue speaker outputs Cue signal output routing. Internal/External feed & overpress

J12 Cue to headphones Allows cue to mix (default) or replace prog.

J13 Monitor dim bus Enables monitor dim (default) or monitor mute

J14 Studio dim bus Enables studio mute (default) or studio dim

Comms Module

J1 & J2 Option 1 & 2 switches Feed T/B to the external destinations. When not operated these can be either

an external cue input signal (default) or no signal (grounded).

J3 Talkback to studio speakers Mute kills T/B to speakers (default) or T/B overrides mute.

J4 Talkback to studio speakers T/B mixes with prog (default) or replaces prog.

J5 & J6 Cleanfeed options These jumpers allow engineer talkback to cleanfeed 1, cleanfeed 2, or to neither bus (default).

Internal monitor source selection

The Monitor Module’s bank of Desk ‘A’ switches allow you to select any one of six internal monitor signals.

The sources of these six signals are determined by links on an internal scramble card., from:

Groups 1 to 8 (mono)

The main stereo mixes of the ST1 and ST2 Modules (stereo)

The mono mixes of the ST1 and ST2 Modules (mono)

Aux 1 to Aux 6 (mono)

Aux 7 and 8 (stereo)

In addition to these, there are also two feeds, Spare L & R, which can be used to monitor any point in the console.

Meterbridge Speaker

The Meterbridge speaker feed is

sourced from the Monitor Module and

has its own volume control

Talkback Mic

The talkback mic socket is routed onto the Talk

Bus via the Communications Module.

Meter Selector Panel

This panel allows you to monitor a variety of

console signals. The meters which would be used in

conjunction with this panel may be chosen from a

range of Soundcraft meter panels which are

available from your dealer. It is suggested that a

suitable choice would be an L/R pair + phase

correlator.

Selector Switches

There are six sources for monitoring: STEREO 1

monitors the Stereo output of the ST1 Master

module, STEREO 2 monitors the Stereo output of

the ST2 Master module, MONO monitors the Mono

ouputs from the ST1 and ST2 modules (ST1 on the

left meter, and ST2 on the right meter), EXTERNAL

monitors any signal placed on the external Input L

and R XLRs on the meterbridge rear connector

panel, MONITOR monitors the Monitor Module’s

output (to output speakers), and STUDIO monitors

the Studio Speakers.

Cue Override

If the CUE OVERRIDE switch is depressed, an

Overpress or Cue generated from the console will

replace the selected meter source. The green CUE

WARNING lamp will light whenever a Cue or

Overpress signal is present.

M/S

Mainly used to decode an M/S source for display in

L/R mode. The M/S switch also encodes an

incoming Stereo L/R signal into M/S for display on

the meters. The +20dB switch works in conjunction

with the M/S switch: it boosts the S signal by

+20dB.

VCA External

The red VCA EXTERNAL lamp illuminates to indicate

external VCA control, from AFV interface.

B800 Meterbridge Modules

 

The meterbridge of the B800 is designed to accept DIN standard and Nordic cassettes (European and Scandinavian

standards), with apertures based on modules measuring 190x40mm (height x width)*. For example TRW & NTP Meters.

Meterbridge sizes

Console Meterbridge

24-module frame 14 slots

32-module frame 20 slots

40-module frame 26 slots

48-module frame 33 slots

56-module frame 39 slots

B800 Meterbridge Options

Rear Panels

B800 System Components

Frames

B800 24-module frame (13-slot meterbridge) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RW5251

B800 32-module frame (20-slot meterbridge) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RW5252

B800 40-module frame (26-slot meterbridge) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RW5253

B800 48-module frame (33-slot meterbridge) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RW5254

B800 56-module frame (39-slot meterbridge) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RW5255

Modules

Mono Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5952

Mono Input with input transformer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5952TX

Mono Input with P&G fader. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5952PG

Mono Input with P&G fader and input transformer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5952PGTX

Mono Input with P&G overpress. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5952OP

Mono Input with P&G overpress & transformer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5952OPTX

Stereo Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5953

Stereo Input with input transformers (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5953TX

Stereo Input with P&G fader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5953PG

Stereo Input with P&G fader and input transformers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5953PGTX

Stereo Input with P&G overpress . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5953OP

Stereo Input with P&G overpress & transformers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5953OPTX

Mono Group. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5954

Mono Group with output transformer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5954TX

Mono Group with P&G fader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5954PG

Mono Group with P&G fader and output transformer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5954PGTX

Mono Group with P&G overpress . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5954OP

Mono Group with P&G overpress and output transformer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5954OPTX

Stereo Group . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5955

Stereo Group with output transformers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5955TX

Stereo Group with P&G fader. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5955PG

Stereo Group with P&G fader and output transformers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5955PGTX

Stereo Master 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5956

Stereo Master 1 with output transformers (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5956TX

Stereo Master 1 with P&G fader. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5956PG

Stereo Master 1 with P&G fader and output transformers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5956PGTX

Stereo Master 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5957

Stereo Master 2 with output transformers (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5957TX

Stereo Master 2 with P&G fader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5957PG

Stereo Master 2 with P&G fader and output transformers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5957PGTX

Monitor Module. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5958

Monitor Module with P&G faders. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5958PG

Comms Module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5959

Comms Module with ext. T/B input transformer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5959TX

Comms Module with P&G faders (2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5959PG

Comms Module with P&G faders and transformer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5959PGTX

Blank Module. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PH1263-01

Meterbridge Options

8 x DIN PPM (-40, +5) meter panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5779

4 x DIN PPM (-40, +5) meter panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5788

8 x BBC PPM (1-7) meter panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5783

4 x BBC PPM (1-7) meter panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5786

8 x EBU PPM (-12, 0, +12) meter panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5784

4 x EBU PPM (-12, 0, +12) meter panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5787

8 x professional VU meter panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5782

4 x professional VU meter panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5785

2 x DIN PPM (-40, +5) plus phase correlator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5826

2 x BBC PPM (1-7) plus phase correlator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5824

2 x EBU PPM (-12, 0, +12) plus phase correlator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5825

2 x professional VU meters (-40, +5) plus phase correlator. . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5823

3 x DIN PPM (-40, +5) meter panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5830

3 x BBC PPM (1-7) meter panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5828

3 x EBU PPM (-12, 0, +12) meter panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5829

3 x professional VU meters (-40, +5) meter panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5827

1 x Twin Needle PPM (1-7) Meter Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5899

2 x Twin Needle PPM (1-7) Meter Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5900

2 x Twin Needle PPM + Phase Correlator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5901

RTW 1113 DIN stereo bargraph meter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 slot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5780

RTW 1119 DIN stereo bargraph meter plus phase correlation meter . . . . . . . . . . . . . . . . 1 slot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5781

10 x 40 segment led aux meters VU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5855V

10 x 40 segment led aux meters PPM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5855P

10 x 40 segment led master VU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5857V

10 x 40 segment led master PPM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5857P

8 x 40 segment led group VU . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5856V

8 x 40 segment led group PPM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RS5856P

Single meterbridge blank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 slot . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PB0682-01

Dual meterbridge blank. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PB0685-01

4-way meterbridge blank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PB0686-01

8-way meterbridge blank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PB0687-01